One of the most pressing issues in the global world today remains that of the involuntary movement of people, of ‘displaced persons’. Whether wrought by natural disasters, such as tsunamis or earthquakes, by war or ethnic conflicts, or by policies towards urbanization, displacement is often linked to human suffering, and always connected to national and transnational politics. Not surprisingly, scholars in a wide range of fields (anthropology, geography, cultural studies, and economics) have noted the importance of ‘seeing’ to cultural perceptions of and public responses to displacement. Not only do visual images and narratives elicit emotional responses, visuality itself structures political action within the global arena.
This seminar engages students in the interdisciplinary study of visuality and ‘displacement’. We will begin by situating displacement and visuality in theoretical and historical perspectives, paying particular attention to the ways in which images and narratives have figured postcolonial subjects and projects. We will then query how dominant modes of visuality intersect concrete responses to displacement: how visuality is connected to power relations as made manifest in international, national or local policies. To this end we will consider together three contemporary case studies: the ongoing crisis in Darfur, Sudan; the movement of indigenous people in Brazil; and, processes of urbanization in China.
Some of the key questions that will be considered are: How is displacement constituted? How do technologies of visuality render subjects ‘visible’ or ‘invisible’ in the global field? Who has access to such technologies? Are institutions, such as the schools or the media, implicated in the production and circulation of ‘displaced persons’? Can displaced groups engage in similar production? What are the relationships between visuality and global capitalism? What are the relationships between governmental, nongovernmental or humanitarian organizations policies towards displaced persons in our three cases and visual culture?
As in all capstone experiences, student research will provide insights into additional cases that illuminate the importance of visuality to understanding cultural politics in a global world.